Foal in the Sunlight (2021) 4 min.

For vocal sextet.

Sonnambulaic (2020) — 7 min.

For bitKlavier.

Glyptic Meditations (2020) — 20 min.

Meditation service for laptop ensemble, pedal steel guitar, and fiddle.

Oillet Eye (2019) — 6 min.

Song-poem for voice, hammered dulcimer, and percussion. Written for David Degge.

Set Adrift (2019) — 8-12 min. 

For percussion quartet playing pitched pipes and unpitched miscellany. Written for So Percussion.

Glyptic Channels (2019) — 36 min.

Composition/installation for two trombones, organ, laptop ensemble, and fixed electronics. Written for RAGE Thormbones, Eric Plutz, and the Princeton Laptop Orchestra.

I Am New and the World Is Splendid (2019) — 10 min.

For orchestra. Read by the New Jersey Symphony Orchestra.

Volute & Twining (2018) — 9 min.

For two pianos a quarter-tone apart. Written for HOCKET.

Cf. (2019) — 6 min.

For piano and percussion duo. Written for Lisa Kaplan and Matthew Duvall of eighth blackbird.

Four Winds (2017) — 4 min.

Song for voice, guitar, percussion, and electronics. Written for the Anaglyphs.

That Is a Field Folded (2017) — 11 min. 

For string quartet. Written for JACK Quartet.

Moon Jellies (2017) — 8 min.

For two vibraphones, drum set, and live electronics. Written for Moose Davis, Theodore Musick, Daniel Matei, and Christopher Douthitt.

PLOrk: Ndibvumbamiwero + Nyong’o (2017) — 13 min.

Florent Ghys’s arrangement of the song by the Four Brothers. Contributed the networked ioiDrifter program featured in the rhythm section.

Sleepers, Walk! (2017) — 5 min.

Prelude for three bass viols and harpsichord. Written for Sonnambula.

Eagle Over Algae (Channeled Scablands) (2017) 10-15 min.

Poetic sound environment for voice or voices, with optional percussion and/or live electronics. Written for Rosie K, Iarla Ó Lionáird, and the Anaglyphs.

CVVC (2016) — 8 min.

For cimbalom, vibraphone, violin, and contrabass. Written for Nick Tolle, Mark Eichenberger, Courtney Orlando, and Florent Ghys.

Five States (2016) — 20-30 min.

Installation/composition for laptop ensemble, percussion, and optional wind instruments. Written for the Princeton Laptop Orchestra.

Voluta / Twine (2016) — 15 min.

For percussion quartet (two vibraphones, glockenspiel, and crotales). Written for Mobius Percussion.

Voices and Apparitions (2016) — 7 min.

Poem-song for soprano and fixed multichannel playback. Written for Rosie K.

ESQUE (2016) — 8 min.

For string quartet. Written for JACK Quartet.

Human Modular (2016) — 13 min.

Performance environment for electric guitar, laptop ensemble, and percussion. Written for the Princeton Laptop Orchestra.

Organelle (2016) — 5 min.

Song for two voices, guitar, vibraphone, marimba, and drum set.

MUL.APIN (2016) — 5 min.

Song for two voices, guitar, vibraphone, marimba, and drum set.

the Glyphs (2015) — 23 min.

EP of five original songs for the Glyphs, an expeditionary rock band.

Mirror Pool / Lethe (2015) — 11 min.

For two pianos and live electronics. Written for Brett Carson, Julie Moon, and Christopher Douthitt.

Hive Chain (2014) — 10 min.

For four guitars, three pianos, piccolo, flute, soprano saxophone, and melodica. Written for the Mills College Contemporary Performance Ensemble.

Mirror Travel / Obsidian (2014) — 11 min.

For two flutes and live electronics. Written for Adriana Rueda, Erika Oba, and Christopher Douthitt.

Murmuring Stuttering (2014) — 6 min. 

For a large improvising ensemble. Written for the Mills College Improvisation Workshop, directed by Roscoe Mitchell and featuring flute, vibraphone, electric guitar, harp, piano, prepared piano, violin, double bass, percussion, two sopranos, three laptops.

Gates of Avernus (2014) — 4 min.

Fixed media intervention on Handel’s “Disserratevi, O Porte D’averno” from La Resurrezione.

From Another Way (2014) — 14 min.

Music for dance scored for harp, violin, contrabass, percussion, and electronics. Commissioned by dancer and choreographer Jiaxin Guo. Written for Stephan Haluska, Dylan Neely, Sam Hertz, Jesse Austin, and Christopher Douthitt.

NACRE (2014) — 6 min.

For chamber ensemble: flute, clarinet, bassoon, horn, piano, string quartet, and percussion.

Terracotta Lullaby (2014) — 8 min.

Improvisation environment for live electronics and flowerpots. Written for Jesse Austin and Christopher Douthitt.

MANTLE (2014) — 7 min.

For string quartet. Read by the Eclipse Quartet.

Beach Comb Filter (2014) — 3 min. 

Fixed media electronics. A study in pure tones, noise, and environmental sound.

Pit Cavern, with Lamp (2014) — 15 min. 

Fixed media for voices, synthesized sound, and contact mic.

Lion Dance for Claire (2013) — 8 min.

Music for dance scored for live electronics. Commissioned by dancer and choreographer Claire Augustine.

Clicking Fields (2013) — 13 min.

Poem and recitation for fixed multichannel installation. Written for Ana Roxanne.

Un’Aura Amorosa (2011) — 40 min.

LP of ten original songs written and arranged for a variety of forces.

Ghost Chestnuts (2011) — 8 min.

Mini-suite for steel-string guitar and two violins. Written for Elana Estrin, Raine Munkins, and Christopher Douthitt.